“And so Rory walks over and says: ‘Watch this…’ and he does the big Irish brogue – ‘Oh, I’ve come over from Ireland and I’ve been trying all day to find this guitar of my hero…’ giving it all that, and in the end the owner’s like, ‘Alright, $50’. And he’s like, ‘No, it’s a piece of shit!’ and the owner is like, ‘Nah, $500.’ “And so he goes up to the desk, asks this really New York owner how much he wants for it – $500. And they find the guitar in the attic of this guitar shop on like 32nd Street or something, and then John says to Rory: ‘Look man, they’ll try to pull something here because you’re foreign… I’ll take the guitar over – how much do you want to pay for it?’ And Rory says: ‘I don’t know, $50?’ ‘Right, we’ll get it for $50’. “So he met up with him, and John tells this lovely story about how they met for the first time and then went guitar shopping in New York in 1969. And he asked Clapton if he knew anywhere in New York where he could one of these guitars, and Clapton tells him to speak to this guy, John Hammond Jr, the blues player. “I remember hearing the story of how he was on the Blind Faith tour in New York, and he wanted a particular guitar, an old Kay I think, because he’d seen Lonnie Johnson playing one on an album cover. And so he would say: ‘Well I’ve got to get that, because that makes a great blues sound,’ rather than a luxury Les Paul or whatever. “And they would play cheaper guitars, because that’s what they could afford. “Rory loved collecting blues memorabilia – vinyl, posters, photographs – and he was fascinated by what the old blues guys would play,” Daniel explains. So much of Rory’s collection is taken up with these unusual guitars that weren’t exactly trendy at the time, and a lot of it comes back to his deep love of blues and blues history. “He’d be looking at the Nationals, the Teiscos, the Silvertones, asking ‘What’s that? What does it sound like? Can I break the tremolo arm off it?’” “If he was here now, he’d be ignoring all that,” he continues, gesturing to the wall of old Gibsons and Fenders in New King’s Road Vintage Guitar Emporium. He wouldn’t be interested in buying that year’s new Strat or whatever. “When he was on the road, especially in America, he would just go into pawn shops and buy loads of Kays, Harmonys, Tokais and Teiscos. “I feel like this is another one of those guitars where he saw it and thought, ‘That’s mad, nobody else is playing one, I’ll take it!’ And it probably only cost him a couple of hundred dollars, if that! “This is such a mad thing! It’s so cool – it’s got a handle, nobody needs a handle!” Daniel Gallagher – Rory’s nephew – laughs. The Japanese budget brand might have been recently reborn as a maker of oddball effects, but during the mid 1960s, it was bringing its eccentric design approach to guitars such as this offset. Our final leftfield electric comes from Teisco. Weight: 2.Rare Guitars: Rory Gallagher’s 1965 TEISCO DEL REY Will be sent by registered mail in a soft carrying bag. The guitar has a very nice, clear and warm sound. It is original and can also be played without an amplifier. The chrome parts have some corrosion but that suits the age of this guitar. The guitar has the usual switches and potentiometers that should be on a 40-year-old guitar. The guitar is in good condition although the original type plaque is missing and the tuning pegs have been replaced at one time. Small white pickguard with beneath that, characteristic for a vintage Teisco, a separate white guard with volume and tone knobs as well as switches and the plug.
The edges of the guitar are decorated with light strips. The top has little traces of aging and is still in a beautiful glossy condition. The back has some light scratches on the bulge. Clear glossy red fading to dark towards the edges. This is a Teisco Thinline Semi-Hollow Body guitar. This model from 1960 strongly resembles the model Teisco Del Rey EP-8T Hollow Body.
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